Installation for group show at Sand City, near Monterey, CA. These shots are from the install day so the rest of the show isn't hung, the lighting isn't set etc yet, but you get the idea. Making some of last year's paintings come to life in 3D! Details of the show here https://www.facebook.com/events/173644753046744/
In 2015 I made a lot of paintings of my neighborhood’s buildings at night, or of abandoned cabins in the Sierras. These became increasingly abstract, focusing on the repetition and disruption of the patterns of planks and boards. Parallel to the paintings, I made small sculptures of buildings from scraps of discarded wood and these houses and towers started to grow in scale.
The installation Lookout is a natural extension of that work and was made especially with Sand City in mind. When I drive highway one through this area I always have the feeling of being the very edge of The West, of being where the ocean emphatically sets the boundary of the continent. I’m struck by the City’s mix of shifting-sands fragility and industrial robustness, and Lookout tries to reflect this.
The tower visually uses the vernacular of functional coastal architecture, yet its purpose isn’t clear. Even its scale is odd – it’s big enough to be imposing but almost comically too small to be of much use. The act itself of “looking out” can be construed as either defensive even paranoid, or optimistic and hopeful. The stilt-like construction and its “island” of sand may allude to coastal erosion and rising sea levels, but could also make it a symbol of endurance and survival. Either way, a lookout tower is all about anticipation and things to come, so I hope the piece encourages viewers to ponder those things and make their own individual interpretations of the piece.
I am very happy that I have work in this intriguing group show at Oakland's Vessel Gallery opening on this Friday's Art Murmur. RECEPTION Thursday, July 21 6 PM - 8 PM.
I just spent a very enjoyable weekend with my former Oakland, now Asheville, based friend Scott David Smith at a mural event in the River Arts district of Asheville, NC. Around forty artists covered the building with fresh murals over three days. The artists making work ranged from graffiti writers to a medical illustrator. There was great camaraderie, much fun had, and the results were super-eclectic. I collaborated with Scott and Ashley Weber to make the piece pictured here.
My work was recently featured in Art Reveal magazine along with a short interview. You can see the whole issue here, or read the feature below.
For the last couple of months I've been working on a 1200ft long mural in Hayward, CA. That's right, twelve hundred long!
The soundwall separates an area of housing from the very busy traffic of W Winton Avenue just west of the 880 freeway. The location is mostly seen by passing motorists and I expect that most will just catch glimpses of fragments of the mural as they pass by. With this in mind, the piece is a playful series of images and scenes that don't have any set narrative, but invite the viewer to imagine their own - like a children's story book, but with the text missing! I started off by thinking about the gardens that are behind the wall and what might be happening in them and let my imagination run from there. The result is a parade of botanical images, fanciful geometric city-scapes, rivers, thoughtful or energetic figures, origami objects, abstract patterns, and giant dogs.
This was one of those public art projects where a huge part of the experience was the daily interaction with the community. Thousands of cars pass the mural every day, and many, many motorists shouted their positive reactions and encouragement as they saw the mural taking shape. Also local residents, especially around the Stonewall Ave corner stopped or came out to say how much they enjoyed and appreciated the work. The comments were truly appreciated and I loved the conversations - they're what doing these public projects are all about. I was touched by, and am immensely grateful for my work being accepted and embraced by the community, and thank the staff at The City Of Hayward who made the project happen.
I don't yet have the definitive final set of photographs yet, but here are some shots of the piece taking shape.
BRIDGE Housing's new affordable housing building Mural had it's grand opening March 21st. The reclaimed wood mural I made for the lobby was the backdrop for the celebrations, and it was a pleasure to meet so many of the people who worked on the building, and some of the new residents. Big thanks to all at BRIDGE, Jeff Breidenbach at Argus, Lee Tollefsrud for installation help, and John Yoyogi Fortes (Digital Boondocks) for shooting this video.
A 20 x 20 ft mural using reclaimed wood for the lobby of a new housing building, also named Mural, at McArthur Station, Oakland. Some of the wood comes from Oakland homes, you can see street names in among the foliage etc.
From an interview on The Studio Work, "Robert Stevenson at Bridge Housing talked a lot about their mission being about rebuilding and “re-knitting” a neighborhood that had been fractured by catastrophic development decisions, and by successive waves of social change. Also Jeff gave me a lot of historical background regarding the origins of the area and the transitions it has gone through. I spent time walking around, exploring further for myself, and photographing sights that I felt indicative of all these thoughts. I latched onto the images of all the mature trees that line the residential streets around Mosswood Park, and thought about how they’d witnessed and endured all the changes we’d been talking about. I saw them as being emblematic of both resilience and new growth, and so trees and foliage became the main image of the piece. I like the idea of creating this wild forest-garden feel in among the clean architectural lines of the urban apartment building". Read the full interview here.
More images here.
I'm thrilled to announce that I am now represented by SFMOMA Artists Gallery in San Francisco. As an offshoot of SFMOMA, the Artists Gallery represents the work of contemporary artists from the Bay Area and has sales and rental programs for commercial and private collectors. Currently, they have twelve of my 2015 paintings including this one, One Time At Sundown, 48 x 36.
I'm generally a low-tech art kind of guy but was really intrigued by some of David Hockney's iPad paintings that were in his show at the DeYoung Museum in San Francisco. As a result, I recently installed the Brushes app myself and started experimenting. I really like the paint-like and printmaking-like quality you can achieve and here are a couple of the images that have emerged so far. I've set up a new webpage for digital work here and prints of these are available through Saatchi Art.
I just installed this 20 x 20 ft mural using reclaimed wood in the lobby of a new housing building at McArthur Station, Oakland, built by the affordable housing non-profit Bridge Housing. I originally worked on the design in 2014, and rented a studio space at Moxy in Jingletown, Oakland to actually make the piece in January and February 2015. Meanwhile, construction of the building went on and I stored the finished wood boards in the parking garage of the building until they were ready for installation the first week of November 2015. I had help on the installation from ace carpenter Lee Tollefsrud.
Some of the wood comes from Oakland homes, you can see street names in among the foliage etc. I made the pieces in a studio space Jan and Feb 2015, and installed it the first week of Nov. The space is still unfinished but should be open and accessible soon.
See more images and process photos here.
There's also a great photo piece and interview by Elise Morris here at The Studio Work.
More new painting and sculpture by Martin Webb
August 15th to September 30th, 2015.
Native Planting, 36 x 48, mixed media on panel.
Addison Street Windows is a City Of Berkeley exhibition, literally a long display window, that has been showcasing the work of local artists since 1998. The windows are at 2018 Addison Street, opposite the Berkeley Rep Theater, and adjacent to The Freight and Salvage.
My work there is a natural evolution of the work in the Many Streams show and has four small paintings from that show, plus four new small paintings, and five new 36 x 48 pieces. Also, Many Streams installation of wood and concrete buildings is reprized, reconfigured and extended. You can see the paintings in detail on my "Work 2015" page.
I love to show my work in traditional galleries, but there's also something special about being able to offer it to a different audience in a public setting. I've seen art in The Windows for years and am grateful to curator Demitri Broxton for the opportunity to show here.
Images of the individual pieces are here.